Sunday nigth 2014-01-26 at 22 o’locco Pas de Deux will reform and perform at the Ancienne Belgique in Brussels as closing cat of “The Sound of the Belgian Underground 2014”, a festival with mostly young & new acts, e.g. Hantrax and Miaux. Links below.
To celebrate the occasion there’s lots of interviews in Belgian media today & earlier this month. Here’s an interview we did with Walter Verdin in 2001: taken 2001-04-18, e-mailed 2001-05-04 as part of [uzine 01.07]. The 2001-06-28 erratum of [uzine 01.09] has been processed in the text below.
Walter Verdin is one of Belgium’s finest artists, especially as a videast (see also his website – cf. the URL below), but ironically Verdin is still best-known for his appearance at the Eurovision Songfestival with Pas de Deux, who represented Belgium in München anno 1983. Backed by the big band of Freddy Sunder (another Belgian legend), a trio consisting of Walter Verdin, Dett Peyskens and Hilde Van Roy (now a journalist for VRT-tv, who interviews royalty a.o. people) danced their way onto the stage to give a maximalist ((the big band’s belting “baaa-waaa baaa-waaa ba-bààà”)), almost dadaist performance ((the lyrics “Rendez-vous / Maar de maat is vol / En m’n kop is toe” were delivered by two brilliantly coiffured women dancing metronomically)) that would earn Belgium little or no points. Thus, it was a performance that was up to a par with Telex’s minimalist meta-pun on the songfestival in 1980 (Den Haag), which had already ranked Belgium among the most surreal countries Eurosongwise and other… Later on the band would split (with the Parsley record label going broke at about the same time).
The following interview was conducted around April 18th & mailed out May 4th 2001. Readers who have access to the free weekly newspaper “Brussel Deze Week” might also want to read Michaël Bellon’s elaborate interview with Mr. Verdin in 2001’s June 20th issue (no.793, p.7), in which it is revealed that Verdin even designed record sleeves, e.g. for the Neon Judgement.
Posted in Zonder categorie
Tagged 1983, 2001, 2014, Africa afro ..., Altman Robert, Antonioni Michelangelo, Benjamin Walter, Bernaerts Bert, Brown James, Brussels, Buñuel Luis, Caminotto Ad, CNN, Cordemans Jan, de Kooning Willem, Debruyn Steven, Eno Brian, Eurovision, Eustache Jean, film, Gabriel Peter, Gainsbourg Serge, Godard Jean-Luc, Hawks Howard, Hitchcock Alfred, interview, Kianzo, Kubota Shigeko, Lachambre Benoît, linktips, Lumet Sidney, Michiels Frank, N’Diayé Rose Doudou, N’Diayé Rose El Hadji, Neon Judgement the, Ono Yoko, Paik Nam June, Parker Alan, Parsley, Pas de Deux, Peckinpah Sam, Peyskens Dett, Richter Hans, Rolling Stones the, Schlemmer Oscar, Stuart Meg, Sunder Freddy, Telex, van Roy Hilde, Vautier Ben, Verdin Walter, Vertov Dziga, video, Viola Bill, Waegeman Geert, Warhol Andy, Weir Peter
Ann Steel was masterminded by Roberto Cacciapaglia. They recorded an untitled lp in 1979 (dedicated to the life and work of Guglielmo Marconi), of which “My time” was pulled as a single … and covered by Telex in 1980, on their “Neurovision” lp (both the English and the French version). Later on they released the disappointing “Media” 7″ (1980, not on the original lp, bonus on the way too expensive cd via Recording Arts). Half Machine have reissued the lp (HMR020) on 2011-10-24 … by hipster demand, I’m sure ;-)
Posted in Uncategorized
Tagged 1979, 1980, 2011, Cacciapaglia Roberto, cover version(s), Half Machine, Italy, linktips, Marconi Guglielmo, Recording Arts, reissue, Steel Ann, Telex
“‘Euro-Vision‘ […] has in fact become known as one of the landmarks of Eurovision, as it was the first entry ever to mention the Contest by name as part of what is generally agreed to have been a send-up of the whole event” + “The Eurovision audience seemed unsure how to react to the performance, and after the band stopped playing, there was mostly stunned silence, with scattered polite applause; Michel Moers took a photograph of the bewildered audience. The band walked off amid sounds of muttering.” Dixit Wikipedia-the-Free-Encyclopedia. But our quiz question reads: what’s the name of Telex’ master choreographer?
Les Tueurs de la Lune de Miel = the Honeymoon Killers released one classic album in 1982 (and a couple of singles in 1981-1983), with the aid of Marc Moulin & Dan Lacksman of Telex fame (see tag) … Compared to that masterpiece, their wild 1977 debut “Special Manubre” merely has its moments, e.g. “Blankenberghe“, with its exquisitely bored lyrics. This Jimi Hendrix / Band of Gypsys cover was not on the original lp; it was recorded by key member Gérald Fenerberg in a rehearsal room in Brussels, 1977, and features as a bonus track on Crammed‘s 2009 cd reissue.
Incidentally re: their Charles Trenet cover “RN7” (1981), that 1’15” > 1’41” break actually dates back to 1977 when related band Aqsak > Aksak Maboul recorded this Duke Ellington cover (and segued it with their own “Vapona, not glue”).
Hey & fyi: Crammed has launched its – impressive – own YT channel!
IM Yvon Vromman 1950-1989.
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Tagged 1977, 1981, 1982, 2003, 2009, Aksak Maboul, Belgium, Brussels, cover version(s), Crammed, Ellington Duke, Fenerberg Gérald, Hendrix Jimi, Hollander Marc, Honeymoon Killers the, jazz, Kamikaze, Lacksman Dan, linktips, Machine gun, Mooche The, Moulin Marc, reissue, Route Nationale 7, Telex, Trenet Charles, Tueurs de la Lune de Miel les, video, Vromman Yvon
[uzine] used to be a music e-zine between 1999 and 2006, run by a threesome and then some (from the mid to end nineties, it was a webzine called ultra – hence the u -, run by (kf) & (hs) a.o. ). The e-zine (now defunct, don’t dream of sending stuff for review) had about 3000 subscribers and even more dedicated readers. We did interviews and reviews and provided the playlists of our radio shows (expect those here later on as well) plus a lot of links, favelists, best of the year overviews, etc. … annexed is the the whole shebang in a 2,6 MB zip featuring txt files and a contents pdf …
Incidentally, everything here is “for demonstration & (internet) conversation purposes”. This here blog will not be making any media files downloadable; such are our settings on this here Posterous platform. If they are presented here, the purpose is to promote artists by providing tangible examples of their art & craft, and to have you, o dear readership, become equally enthusiastic about the art on display, perhaps even tempting you to purchase it legally. As the financial crisis of 2008 has shown, we’re living in a consumer society (and a services economy, and an attention economy, and a spectacle society), so everyone has to be aware of and do what it takes to keep the wheels going (without harming the planet). Also, it is our intent to always provide direct links to artist or label sites, and to the sources we got our information or data from … as well as other relevant and informative links, cf. this site’s subtitle. Conversely (vice versa, mutatis mutandis), we hope to be quoted whenever material of ours is used, including all stuff from the issues of [uzine] contained in this here zip containing our own writings. Do contact us if you have issues or questions …
& feel free to become a fan of this Fb page: http://www.facebook.com/pages/uzine-blog/216710133861
Update: since the switch from Posterous to WordPress, it’s no longer possible to offer a zip. Here’s the contents table instead, and an example issue. When there’s time, we’ll make a separate blogpost of each e-zine.
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