Some record shop stickers, mostly from Belgium. Should’ve kept them in a notebook. Many thanks MagisterM, DominiqueDrDoG, BrianC and WandaP and see also:
To be continued …
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Tagged Aalst, Amsterdam, Antwerp, Belgium, Brown James, Bruges, Brussels, Edegem, EMI, Germany, Ghent, Koksijde, Liedekerke, linktips, London, Mouscron, Netherlands the, Roosendaal, Rostock, Sint-Katelijne-Waver, Sint-Niklaas, sleeve art, South Africa, the Hague, Tielt, Turnhout
Sunday nigth 2014-01-26 at 22 o’locco Pas de Deux will reform and perform at the Ancienne Belgique in Brussels as closing cat of “The Sound of the Belgian Underground 2014”, a festival with mostly young & new acts, e.g. Hantrax and Miaux. Links below.
To celebrate the occasion there’s lots of interviews in Belgian media today & earlier this month. Here’s an interview we did with Walter Verdin in 2001: taken 2001-04-18, e-mailed 2001-05-04 as part of [uzine 01.07]. The 2001-06-28 erratum of [uzine 01.09] has been processed in the text below.
Walter Verdin is one of Belgium’s finest artists, especially as a videast (see also his website – cf. the URL below), but ironically Verdin is still best-known for his appearance at the Eurovision Songfestival with Pas de Deux, who represented Belgium in München anno 1983. Backed by the big band of Freddy Sunder (another Belgian legend), a trio consisting of Walter Verdin, Dett Peyskens and Hilde Van Roy (now a journalist for VRT-tv, who interviews royalty a.o. people) danced their way onto the stage to give a maximalist ((the big band’s belting “baaa-waaa baaa-waaa ba-bààà”)), almost dadaist performance ((the lyrics “Rendez-vous / Maar de maat is vol / En m’n kop is toe” were delivered by two brilliantly coiffured women dancing metronomically)) that would earn Belgium little or no points. Thus, it was a performance that was up to a par with Telex’s minimalist meta-pun on the songfestival in 1980 (Den Haag), which had already ranked Belgium among the most surreal countries Eurosongwise and other… Later on the band would split (with the Parsley record label going broke at about the same time).
The following interview was conducted around April 18th & mailed out May 4th 2001. Readers who have access to the free weekly newspaper “Brussel Deze Week” might also want to read Michaël Bellon’s elaborate interview with Mr. Verdin in 2001’s June 20th issue (no.793, p.7), in which it is revealed that Verdin even designed record sleeves, e.g. for the Neon Judgement.
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Tagged 1983, 2001, 2014, Africa afro ..., Altman Robert, Antonioni Michelangelo, Benjamin Walter, Bernaerts Bert, Brown James, Brussels, Buñuel Luis, Caminotto Ad, CNN, Cordemans Jan, de Kooning Willem, Debruyn Steven, Eno Brian, Eurovision, Eustache Jean, film, Gabriel Peter, Gainsbourg Serge, Godard Jean-Luc, Hawks Howard, Hitchcock Alfred, interview, Kianzo, Kubota Shigeko, Lachambre Benoît, linktips, Lumet Sidney, Michiels Frank, N’Diayé Rose Doudou, N’Diayé Rose El Hadji, Neon Judgement the, Ono Yoko, Paik Nam June, Parker Alan, Parsley, Pas de Deux, Peckinpah Sam, Peyskens Dett, Richter Hans, Rolling Stones the, Schlemmer Oscar, Stuart Meg, Sunder Freddy, Telex, van Roy Hilde, Vautier Ben, Verdin Walter, Vertov Dziga, video, Viola Bill, Waegeman Geert, Warhol Andy, Weir Peter
“In 1980, Mick Jagger wrote a song about Spider Sabich‘s death that was intended to be on the Rolling Stones‘ album “Emotional Rescue“. The song, titled “Claudine“, carried lyrics that painted a graphic picture of some of the more salacious aspects of the affair and killing. However, it was deemed too controversial and was removed, although it was included on several bootleg Rolling Stones albums. In November 2011, the track “Claudine” was released on the Rolling Stones’ deluxe reissue of their album “Some Girls“.” Source: http://en.wikipedia.org/wiki/Claudine_Longet#In_music + see also http://www.showbiz411.com/2011/10/20/rolling-stones-finally-releasing-song-about-claudine-longet and https://uzine.wordpress.com/tag/longetclaudine/
Tonight at the Ancienne Belgique in Brussels, Linda Perhacs will be interviewed at 18 o’clock CET and will perform at 21:30 – mostly from her new album “The soul of all natural things“, to be released 2014-01. Below’s a reprint of our 2003-11 review of her legendary debut “Parallelograms“ (Kapp 1970). Almost ten years old to the day, it’s from [uzine 03.17]. Since the switch of this blog from Posterous to WordPress we’re no longer able to offer you a zip of the e-zine back catalogue but we’re working on it! Meanwhile, here’s a sample issue and the table of contents … Since that 2003 review, the album has been re-reissued a number of times, e.g. on cd and lp by Sunbeam (with exclusive bonus tracks) or vinyl only by Sundazed. The Mexican Summer and Guerssen editions seem to be out of print.
LINDA PERHACS “Parallelograms – High Quality Sleeve – Large Sized Poster & Insert – 600 Copies Limited Edition” ****1/4
lp – 2003 – Merry-Go-Round MGR / Beatball (BMRL-2001)
LINDA PERHACS “Parallelograms” ****1/4
cd – 2003 – The Wild Places / Ace of Discs (WILD-005-RE) – 60’18”
Sweet, naively introverted and sometimes eerie – and always on the right side of twee. Very lovely and delightful, but not always as unique as some hypers would have you believe either. Linda reminds less of Vashti than of Joni and of Jacqui, sometimes even of Judy and Joan and Sandy and Carole and Karen. And Hope. Fans of “Willow song” on the soundtrack of “The Wicker Man” (cf. U0226) and of acts such as Mellow Candle, Tudor Lodge or even the Carpenters will like this too, while I’m even tempted to draw a parallel with Fred Neil, though not in sound. But a sweet, contemplative, Californialbion Joni trying to please Burt Bacharach comes closest, I guess. (Incidentally: ms Perhacs used to live in Topanga Canyon and in the Pacific Northwest of the USA – that whole ‘Hawaiian maiden’ story is untrue.) The cd adds five bonus tracks to the 1970 lp, the Korean lp reissue only two of them. The cd-only tracks (viz. a longer version of “Hey, who really cares” with added intro, a demo of “If you were my man”, a demo of “Chimacum rain” with extra sounds and a spoken note to her producer Leonard Rosenman) are worthwhile, but not crucial, so if you’d rather go for that poster… Note too that there’s been an earlier reissue on Ace of Discs which was mastered from a mint vinyl copy of the original lp but with a sound that wasn’t as close to the sound of the quarter track reel to reel tapes that have been used this time around, as the original lp had apparently been poorly mastered. And do note, as well, that this the WP brings together *everything* which ms. Perhacs has ever recorded. [Bunyan, Mitchell, McShee, Collins, Baez, Denny, King, Carpenter, Sandoval.]
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Tagged 1967, 1969, 1970, 2003, 2013, Ace of Discs, Ancienne Belgique (AB), Beatball, Brussels, folk, Kapp, linktips, Merry-Go-Round MGR, Perhacs Linda, reissue, Sunbeam, Topanga Canyon, Wild Places the