Sunday nigth 2014-01-26 at 22 o’locco Pas de Deux will reform and perform at the Ancienne Belgique in Brussels as closing cat of “The Sound of the Belgian Underground 2014”, a festival with mostly young & new acts, e.g. Hantrax and Miaux. Links below.
To celebrate the occasion there’s lots of interviews in Belgian media today & earlier this month. Here’s an interview we did with Walter Verdin in 2001: taken 2001-04-18, e-mailed 2001-05-04 as part of [uzine 01.07]. The 2001-06-28 erratum of [uzine 01.09] has been processed in the text below.
Walter Verdin is one of Belgium’s finest artists, especially as a videast (see also his website – cf. the URL below), but ironically Verdin is still best-known for his appearance at the Eurovision Songfestival with Pas de Deux, who represented Belgium in München anno 1983. Backed by the big band of Freddy Sunder (another Belgian legend), a trio consisting of Walter Verdin, Dett Peyskens and Hilde Van Roy (now a journalist for VRT-tv, who interviews royalty a.o. people) danced their way onto the stage to give a maximalist ((the big band’s belting “baaa-waaa baaa-waaa ba-bààà”)), almost dadaist performance ((the lyrics “Rendez-vous / Maar de maat is vol / En m’n kop is toe” were delivered by two brilliantly coiffured women dancing metronomically)) that would earn Belgium little or no points. Thus, it was a performance that was up to a par with Telex’s minimalist meta-pun on the songfestival in 1980 (Den Haag), which had already ranked Belgium among the most surreal countries Eurosongwise and other… Later on the band would split (with the Parsley record label going broke at about the same time).
The following interview was conducted around April 18th & mailed out May 4th 2001. Readers who have access to the free weekly newspaper “Brussel Deze Week” might also want to read Michaël Bellon’s elaborate interview with Mr. Verdin in 2001’s June 20th issue (no.793, p.7), in which it is revealed that Verdin even designed record sleeves, e.g. for the Neon Judgement.
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Tagged 1983, 2001, 2014, Africa afro ..., Altman Robert, Antonioni Michelangelo, Benjamin Walter, Bernaerts Bert, Brown James, Brussels, Buñuel Luis, Caminotto Ad, CNN, Cordemans Jan, de Kooning Willem, Debruyn Steven, Eno Brian, Eurovision, Eustache Jean, film, Gabriel Peter, Gainsbourg Serge, Godard Jean-Luc, Hawks Howard, Hitchcock Alfred, interview, Kianzo, Kubota Shigeko, Lachambre Benoît, linktips, Lumet Sidney, Michiels Frank, N’Diayé Rose Doudou, N’Diayé Rose El Hadji, Neon Judgement the, Ono Yoko, Paik Nam June, Parker Alan, Parsley, Pas de Deux, Peckinpah Sam, Peyskens Dett, Richter Hans, Rolling Stones the, Schlemmer Oscar, Stuart Meg, Sunder Freddy, Telex, van Roy Hilde, Vautier Ben, Verdin Walter, Vertov Dziga, video, Viola Bill, Waegeman Geert, Warhol Andy, Weir Peter
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Tagged 2006, 2009, 2012, 2013, 30th Century Man, 4AD, BBC, book, documentary, Engel Scott, film, Jawbone, Kijak Stephen, linktips, new release, Omnibus, Orion, Plexus, Reynolds Anthony, Walker Scott, Williams Lewis, Woods Paul, Young Rob
A promo video for Ty Segall‘s new album “Twins” (out on Drag City since 2012-10-09) assembled by Roommate‘s Kent Lambert who used “clips from “Lawnmower man 2: beyond cyberspace”, “White chicks” and “The stupids” – all other footage courtesy of Chicago Film Archives.” Below’s Segall‘s video (codirected with one Peter Grimm) for “The hill“.
See young George Smits act in “Cash? Cash!” by Paul Collet and Pierre Drouot (Antwerp, Belgium, 1967) … now out on dvd via Belfilm (2011) with the soundtrack by Roger Morès (original vinyl on Vogue) extra on cd (27’43”). Fuzzy groovy title track“Cash-cash” was co-written by Roger Morès and Roel Van Bambost (without Miek); all other tracks – e.g. “Dancing” – were written by Morès. Two tracks for the next (sixth) “Beat Bespoké” v/a compilation, oh New Untouchables? (Volume five, once again compiled by Rob Bailey, has just been released on Circle, cat. no. CPWC113.)
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Tagged 1967, 2011, 2012, Antwerp, Bailey Rob, Beat Bespoké Le v/a, Belfilm, Belgium, Cash cash, Circle, Collet Paul, dvd, film, Morès Roger, New Untouchables, reissue, Smits George, soundtrack, v/a compilation, Van Bambost Roel, Vogue