Tag Archives: 1981

go go joey

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Yo! Yo! Go Go Get Down (Pure Ghetto Funk From Washington DC)is an utterly great v/a 2cd compiled by dj Dave Lee aka Joey Negro for ZR (cat. no. ZeddCD025, 2012). Ranging from 1975 to 2004 but focusing on go go‘s 1980-1987 high, it complements 1990’s classic Washington Go Go Sound Attackv/a 2cd & 2lp on BCM very well … Hey and trying to find the date for some tracks – we’re trying to understand the genre’s history after all – made me discover the Funklopedik Project:
http://www.black-music-collectors.com/labels/DCGOGO/Big-City-Records-12singles.htm
http://blogs.independent.co.uk/2012/06/07/joey-negro-on-washingtons-go-go-scene/
http://www.zrecords.ltd.uk/news-item/GoGo+Get+Down+Out+Now/31
http://en.wikipedia.org/wiki/Go-go
http://www.tmottgogo.com/
http://ftvdb.bfi.org.uk/sift/title/222423
http://www.upress.state.ms.us/books/1167
http://books.google.com/books/about/The_beat.html?id=2AYJAQAAMAAJ
http://www.washingtonpost.com/ac2/wp-dyn?pagename=article&contentId=A8247-2001Jun1

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new bill fay album

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Yay! Dead Oceans have just announced a new Bill Fay album for 2012-08-21: http://deadoceans.com/blog/2012/05/dead-oceans-welcome-bill-fay-first-studio-album-in-over-40-years-out-august-21/ + http://deadoceans.com/artist.php?name=faybill … which is utterly wonderful!! Yet “Life Is People” won’t be the first in over forty years. The Still Some Light2cd from 2010 featured one disc of carefully crafted new songs so that makes “Life Is People” the first new album in a mere two years ;-) And before the 2009 recordings, there were the utterly magnificent 1978-1981 recordings you can hear on Tomorrow, Tomorrow And Tomorrow(2005) – imho his very best album … More via http://uzine.posterous.com/tag/faybill

simple minds’ four best

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Roxy Music, Japan, … but never a Simple Minds fan … except for a handful of tracks, e.g. This earth that you walk upon (instrumental)“, “League of nations” & “Theme for great cities(3x 1981) and I travel(1980) – all recently reissued on the X56cd box (2012).

pete shelley’s zx spectrum

Bit dated, no? Most of all, I’ve forever been curious for those ZX Spectrum computer graphics “which displayed in time with the music” of Pete Shelley’s “XL1” lp (1983) … Didn’t find anything on YT but did find a few screenshots via the links below … not very encouraging. Oh well. Below is the first track I heard by Shelley (beyond Buzzcocks) … to me it’s still his best solo work – “Witness the change” (coproduced by Martin Rushent, 1981).
http://en.wikipedia.org/wiki/XL1
http://en.wikipedia.org/wiki/ZX_Spectrum
http://www.kempa.com/2004/03/09/vinyl-data/
http://freespace.virgin.net/pete.shelley/xl1-01.htm
http://www.worldofspectrum.org/infoseekid.cgi?id=0015505
http://www.electricalaudio.com/phpBB/viewtopic.php?p=747302#p747302
http://wordmagazine.co.uk/content/formats-we-have-forgotten#comment-282780
http://wn.com/Sinclair_ZX81_and_ZX_Spectrum_dominate_the_market,_Clive_Sinclair_speaks
http://vinylfanatics.com/index.php/articles-mainmenu-38/205-vinyl-data-computer-programs-encoded-in-vinyl

record store day rant

Record Store Day overkill? Seems like what has started as a project to support local initiatives centred around individual record stores, has become a bit of a monster enterprise, taken over by marketing. For weeks on end we’re getting listings and mails and all kinds of social media info and what not from labels àll pushing their products. Normally they’re trying to have us buy those goodies (which they often are) via their websites or other online deals – including the download model almost everyone in the industry is adapting to … bar record stores.

Then once a year the mantra changes into buy our special limited RSD product in your local record store because however expensive those collectable rarities, it’s a good idea to support those stores, after all we’re all nostalgic for that mythic store where people used to buy vinyl so let’s keep some of those around, etc etc“. And yès everyone has a ball, especially those hard working, serious music loving people behind the counter, who are always trying to get hold of whatever we fancy ànd who’re now organising concerts with the help of musicians who dig the good cause. Utterly wonderful, if only because those independent store owners have remarkably better revenues over this period. Crazy, but cool.

Yet for the next eleven months, it’s back to the same old thang: labels & record biz trying to earn more via direct sales and other business to consumer ploys, outsmarting local record stores who’re not up to a par with the big boys’ direct marketing tactics & the smaller setups’ social media strategies. Most of all by announcing their releases long beforehand, trying to coax online orders before actual stores have that product in their distribution listings. Paradoxical (no bugles). And a serious anomaly in a system that should organise (independent) record store sustainability day in day out.

Soit. Anyhow. Okay. RSD is an okay initiative, even if there’s a lot to rant about. Here’s to the original independents caring about a sustainable industry from beginning to end, from the cradle where passionate lovers of music give birth to tunes to the cradle where passionate lovers of music consume that music. Merry tunes! Happy hunting! Stores surviving!

spacey svensk italo

Found it at long last – albeit the 2011 reprint: “Supercool” b/w “Percussion sundance” by Kash (Newlock 1981) … http://www.discogs.com/Kash-Supercool/release/933131

o superpan

Oh dear … a Pan’s People routine on Top of the Pops to a New York avantgarde artist scoring a novelty hit … wonder if Laurie Anderson ever saw this … cringgge …